Theme

The Madrasa is the best known example of Bahmani (Persian) Architecture and is one of its kinds in India. The building functioned like a residential University. It is a rectangular three storey structure that consisted of a mosque, lecture halls, professor quarters and student cubicles. The walls were covered with blue, green, golden and white glazed Persian tiles. In its heydays, the madrasa would have looked pretty spectacular with the sun glinting off the majolica work; the minars soaring into the sky reflecting the aspiration of the founder and the students. The architecture provided the perfect setting for intellectual brainstorming and discussions. The scene of harried professors and students scurrying between classes would be similar to being played out at Feroz Shah Tughlaq’s madrasa at Hauz Khas Village in Delhi – unless all inmates fled during Taimur’s plunder of Delhi.

Today, the madrasa is much in ruins. In 1656 Aurangzeb occupied the building (Bidar Sultanate was gone by 1619) and turned it into an army barrack. Aurangzeb believed in occupation and razing rather than building. Rooms in the south-east were used to store gun powder. Since Aurangzeb was not fond of smokers, somebody hid in the corner stealing a few puffs, when reportedly an explosion blew up along with the unwitting arsonist, portions of the south and east walls with the eastern entrance gate. Out of the supposedly two minars, only one 100 feet tall minar on the north east corner survives. The biggest surprise is that the two balconies of the minar project from the structure rather than being supported by brackets. The minar has vibrant colourful patchwork of zigzag motifs. Facing the central courtyard are the reading halls with open arched doorways rising to three storeys creating huge iwans, which in turn are surmounted with domes. The minar, iwans, domes and glazed tiles complete the Persian Architecture.