Shekhawati

Shekhawati has been sometimes dubbed the “Open Art Gallery” of Rajasthan. This semi arid region lies in the triangle formed between the cities Bikaner, Jaipur and Delhi and is replete with Havelis adorned with beautiful wall paintings belonging mostly from 18th and 19th centuries. Shekhawati also has various small fortresses, minor castles, mosques, wells called baolis and a deer sanctuary. Many of the Palaces have been turned into luxury hotels with royal facilities and services. Some of the historical monuments are Mandawa Fort, Dundlod Fort, Roop Niwas Kothi Palace, Mukundgarh Fort, Narain Niwas Castle, Alsisar Mahal and Dera Danta Kila. Shekhawati is well connected by road with the nearest airport in Jaipur and nearest railhead at Jhunjhunu.
Best time to visit: October to March
Languages spoken: Hindi, Marwari
Climate: Extremely hot summers and pleasant winters
Heritage sites: Mandawa Fort, Dundlod Fort, Roop Niwas Kothi Palace, Mukundgarh Fort, Narain Niwas Castle, Alsisar Mahal, Dera Danta Kila, Castle Pachar, Surajgarh Fort, Arooka Castle, Havelis with wall paintings
Activities: Camel Safari

Charming Jhunjhunu: Rani Sati Temple

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After paying our tribute to all the twelve sati, we went inside the main mandapam of the Rani Sati. It was huge structure similar to those found in the Rama Krishna Mission temples. Lots of space was available for people to sit and pray. There was no statue of any sati. Instead a simple trident depicting the Goddess was placed for devotees to pray before her. The walls and columns of the mandapam were again beautifully painted. Two or three purohits were helping the devotees in offering prayers there. The followers of Rani Sati trace her origin from the times of Mahabharata, in which she was the wife of Arjuna’s son Abhimanyu. Her name was Uttara. She wanted to perform the rites of sati, when Abhimanyu died in the Mahabharata battle. Then, Lord Krishna persuaded her not to do so, giving her a boon that she would get an opportunity to perform Sati in her next birth. As prophesied by Krishna, she was born in modern-day Rajasthan (Shekhawati) and Abhimanyu was born near modern-day Hissar in Haryana. Her name was Narayani and Abhimanyu’s name was Tandhan. He had a beautiful horse, which was also eyed by the King’s son. However, in the battle for the horse, king’s son was killed. Further, an infuriated king killed Tandhan in the battle. The brave Narayani, after killing the King in revenge, performed sati at the pyre of her husband. She was supported by the caretaker of the horse, named Ranaji. For his efforts, the brave sati granted Rana Ji a boon that his name would always be remembered before her vey name. Thus, the name “Rani Sati” came into existence.

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Charming Jhunjhunu: Making of Lac Bangles (Shekhawati style)

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If the second craftsman was satisfied with the measurement, his next function was to join the two ends of the rolled lac to make it into a bangle. For this, he brought both the ends of the rolled lac over the coal-burner and heated it for appropriate state of melting. The lac then binds itself and both ends join together. However, to make the joining spot invisible to the naked eyes, the craftsman had to rub off the uneven surfaces and make it smooth. He used a wooden handle for that function. Now, the bangle of the basic shape and size was made. It was handed over to another set of craftsmen for designing and sticking of semi-precious or artificial stones/glass pieces so as to make it attractive.

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Crowning glory of Shekhawati: Haveli of Nadine Le Prince (Fatehpur)

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Then Lia brought us to the cultural center. It had mainly three sections. The first section was dedicated to paintings and the tribal art. Each frame was magnificent. Nevertheless, two pictures really attracted me. The first was the paining on goat skin, depicting of “Ram hunting”. The richness of its colour was excellent. It was done by an unknown tribal artist.

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