This time around, I did not have to go far from Pune to make a trip down the history lane. Within a distance of…Read More
We were speechless, and at peace… Though the moment before we were tired, wiping the sweat, cursing the horseshit around us and trying to…Read More
One of the most photographed temple because of it’s location is actually a set of two temples set next to each other with a slight angle. The temple premise is walled with carvings of bulls(‘nandi’) sitting atop. The two temples are medium sized with typical Dravid architecture.Read More
With late entry in Khajuraho, though groggy eyed by early rising, we all walked with swift steps through the dusty, shrubby surroundings of the temple town of Khajuraho.Read More
A very early morning, jostled out of sleep, washed and bundled in warm clothes, with eyes half closed and ears awake by piercing horn…Read More
It was still very early morning. I was waking up from an almost non existent sleep. The train moved ahead and surprisingly across too….Read More
Unfortunately ‘Teli ka Mandir’ and ‘Saas-Bahu’ temple, both these majestic temples are ‘monuments’ !
How tranquil it would be to hear the entrance bell ringing melodically, to breath in the combined fragrance of flowers and oil lamps and incense sticks, to see the hustle bustle of devoted feet and folded hands, and to submit to the rhythm of ancient chants echoing from the corridors!
Now why were we in Haryana of all the places? We need to get some background on Indus Valley culture over here to appreciate our destination. We all know about Harappa and Mohenjo-Daro as principle sites of Indus culture. Now Indus or Harappan culture refers to archeological finds pertaining to time period of 2500-1900 BC having specific similarities. The distinguishing characteristic of this culture is presence of town planning evident in spacious perpendicular roads, sewerage system, fortified townships and large houses with courtyard and brick walls. Findings of seals, weights, beads, gold ornaments indicate flourished trade.Read More
It was raining incessantly. Pouring cold showers had cast a gloomy spell. Water flowed from top of the mountains in torrents, the apple flowers…Read More
The journey of Ladakh ended but spirit of Ladakh still lingers on in our minds, such a harsh climate and stark nature, but the human seed survives..Read More
It is a very small temple which has sixty four Yogini figures placed inside the circular wall. Each Yogini has a name and special characteristic such as one with lion face, one with a monkey face, one standing on a human head or one standing in fire and so on. There are a few Yogini temples all over India and all are circular in shape depicting the ‘Yoni’.Read More
The most important sculpture here is the Trimutri, 3 faces of Mahadev which have found its space on Maharashtra tourism logo as well. Nearly full length of wall, the faces are very skilfully carved. Point to note that this is not a sculpture of Trimurti – Brahma , Vishnu and Mahesh but these are faces of Shiva only. There has been tradition to carve faces on Shivling as well. And based on number of faces, the shivling gets the name from Ekmukhi to Panchmukhi.
Although the common man thinks these are 3 faces, the experts have always more to add. Stella Kramrisch is one such expert in Indian iconography. She has proven that these are not 3 but 5 faces. There are distinct names to each of the face and it really represents the attribute of colorful character of Shiva. Five faces of Shiva represent five elements, Ishana (sky), Tatpurusha (wind), Aghora (fire), Vamadeva (water) and Sadjoyata (earth) and together this depiction is called as Sadashiv as per iconography. We see three faces and there is one assumed to be behind and one on top.